Bryant & May – The Bleeding Heart, UK Cover
UK Cover
Bryant & May and the Bleeding Heart, US Cover
US Cover
Bryant & May and the Bleeding Heart US Cover
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Bryant and May and the Bleeding Heart

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It's a fresh start for the Met's oddest investigation team, the Peculiar Crimes Unit. 

Their first case involves two teenagers who see a dead man rising from his grave in a London park. And if that's not alarming enough, one of them is killed in a hit and run accident. Stranger still, in the moments between when he was last seen alive and found dead on the pavement, someone has changed his shirt... 

Much to his frustration, Arthur Bryant is not allowed to investigate. Instead, he has been tasked with finding out how someone could have stolen the ravens from the Tower of London. All seven birds have vanished from one of the most secure fortresses in the city. And, as the legend has it, when the ravens leave, the nation falls… 

Soon it seems death is all around and Bryant and May must confront a group of latter-day bodysnatchers, explore an eerie funeral parlour and unearth the gruesome legend of Bleeding Heart Yard. More graves are desecrated, further deaths occur, and the symbol of the Bleeding Heart seems to turn up everywhere - it's even discovered hidden in the PCU's offices. And when Bryant is blindfolded and taken to the headquarters of a secret society, he realises that this case is more complex than even he had imagined, and that everyone is hiding something. The Grim Reaper walks abroad and seems to be stalking him, playing on his fears of premature burial. 

Rich in strange characters and steeped in London's true history, this is Bryant & May's most peculiar and disturbing case of all. 

Start reading here. 

Dead Of Night 

For a teenager who had never been outside of London, Romain Curtis knew a lot about astronomy. His knowledge seemed pointless in a city where the night sky was usually barricaded behind an immense lid of low sulphurous cloud. When he looked up between the buildings, all he could see was a wash of reflected saffron light. But behind this he sensed the glimmering tracery of constellations, and could point to them with the certainty of a sailor. 

Unfortunately it was a talent that impressed no-one, least of all the girls from the Cromwell Estate in Bloomsbury, where he lived with his mother. Shirone Estanza was no different, and had stared blankly at him when he offered to name the stars, but she still pursued him. She was physically bigger than most of the girls he had hung out with — seven months older taller, older, louder - but seemed like a lot of fun. She changed the colour of her nails every week (tonight; acid green) and wore the tightest skirts he'd ever seen. Anyway, he was still finding his feet with girls, and couldn't be sure if he even liked them, or if they liked him. 

Curtis appeared older than his fifteen years. He looked like a bruiser, with his father's flat nose and wide forehead, but had trouble living up to the image. He read voraciously, preferred heavy metal to hip-hop, and wanted to study textiles at St Martin's College of Art and Design. He saw movies about angry West Indian kids on council estates and failed to recognise anything of himself in the characters. His father had told him to be his own man, to keep close with his mates, to stay fit and fight back, pointless advice from a warehouseman who spent his days borrowing money from girlfriends, shuttling between the pub and the betting shop. 

For a kid with hardly any money, London is a city of closed doors. Astronomy was a free hobby. Romain could go to museums and libraries, and sit in parks on clear evenings, using the app on his mobile to identify constellations. Tonight, Shirone had insisted on paying for their drinks in The Gunmakers, a pub she could enter without being carded because one of her brother's best mates ran the bar. Although he had nowhere to take her now it was a rare warm night, and as he had been running wild in the neighbourhood since he was old enough to stand, he knew every dark and secret space for miles around. Leading her down Wakefield Street into the narrow gloom of Henrietta Mews, he reached the closed iron gates of St George's Gardens and stopped, turning to her. 

Shirone had folded her arms and was offering a defiant jut of the jaw. 'If you think I'm going in there you've got another think coming.' '

What's wrong?' Romain asked innocently. 'There's never anyone in here.' 

'Been inside with a lot of girls, have you?' 

'No, what I mean is it's dead quiet and calm, all grass and trees an' that, and sometimes it's dark enough to see the stars.' 

'You gonna start naming 'em all again?' 

'No, I just fancied a sit-down with you. Look.' He swung a long leg over the black railing and stepped lightly down inside. 'It's easy. There's never anyone in here. You need a hand over?' 

'I can manage.' A moment later she had joined him and was looking around. 'That's nice, innit? You didn't say we was going to a graveyard.' She pointed to the stone-circle of sarcophagae that rose between the paths like sacrificial altars, and the broken line of verdigris-topped headstones leaning against the back wall, under the shade of the plane trees. She had been in the little park many times but had never really taken much notice of the graves before. By day most of them were lost in the shadows. 

'It's a garden, it's not used for burials no more, not for ages.' He ushered her past the headstones, toward a grassy area between the stone memorials. Tall buildings hemmed the park in on all sides. Here, at the backs of several blocks of flats, sheltered by the dense canopy of branches, they moved unobserved. Even the pale nimbus of the moon was lost from view. He dropped to the neatly clipped lawn and pulled out his mobile. She sat more gingerly, wary of ground that felt perpetually damp, even after a few days of dry weather. 

'I got this tracking app that shows you the position of the planets,' he said, tilting the light to her. 'See?' 

'How old are these graves?' asked Shirone, twisting about. She was wearing stretch-jeans and very high heels, and sitting on grass of any kind was a tentative activity at best. 

'About three hundred years, maybe more.' He returned his attention to the phone. 'See, Ursa Major is right overhead. In Greek mythology Callisto got turned into a bear and was almost shot with an arrow by her son. He was turned into a bear too. Ursa Minor. It's supposed to be the only constellation that never sinks below the horizon.' 

Something ticked down from a nearby tree, a bird releasing a twig, perhaps. Shirone looked as if she was about to spring to her feet. She had no problem pushing her way through a gang of ten classmates but more than three trees in the same place bothered her. 

Romain pulled a battered joint from his jacket pocket and dug for his lighter. 'I used to come here when I was little, for picnics and that.' Perhaps it was best not to go on about the cemetery, he decided, as it would ruin his chances with her tonight, but he hadn't been able to think of anywhere else they could go. He dragged on the roll-up and passed it to her. A single car broke the silence, heading South. The little park's greenery insulated it from surrounding sounds. 

'I used to see you around all the time,' said Shirone, 'but you never said nothing. I didn't think you liked me.' 

'It wasn't that, I just didn't know what to say. You was always with your brothers.' 

'Yeah. They'd kill me if they found out I was here.' 


'You're joking, right? They're Italian. I'm just half-Italian.' She handed back the joint and lowered herself gently to the grass. 'It's weird being in here at night. Like we're in the country. What's that park in New York?' 

'Central Park.' 

'Yeah. My dad's got pictures. It's really big, right, but you can see buildings all around it.' 

'I s'pose it was planned that way. Like a garden.' 

'Yeah, but this — ' she gestured vaguely around the green, ' — it's not, is it? It just got sort of left behind. I mean, it was here first, and everything else got built around it. Like it's the original land, and everything else is just — ' 

He stopped her with a kiss. He wanted to take it slowly but there was something wonderful about her that he wanted to capture in his mouth. She tasted of mint and lemons; she had chewed the garnishes in her drink. 

She broke off and turned her head. He thought he had made the wrong move, but then she raised a hand and said; 'Listen.' 

There was somebody else in the grounds. He heard a scrape, a crack of wood, a grunt, a displacement of earth, a cascade of small stones. He pushed himself up from the ground and looked about. On the far side of the park there was a shuffle of movement, a black-on-grey shape that folded, rose and folded again. It almost looked as if something was coming out of one of the graves. It made him think of a Lucio Fulci zombie film, one of those once-forbidden Italian B-movies that now looked so cheesy on YouTube. 

What if Shirone's thuggish brothers had followed them in? She was fifteen years old with a lungful of dope-smoke, and was lying underneath him. 

'Get off me,' she whispered, 'someone's here. Let's go.' 

Reluctantly, Romain rose. To get back to the railings they had to pass whoever was watching. Shirone grabbed the sleeve of his shirt and made him keep up with her. 

The curve of the path took them near the wall, the graves and the bushes. As they drew closer, rowan leaves shook abruptly and violently, scattering red berries. He could see a figure now, tall and angular, swaying drunkenly. 'Oi, mate,' he called back, 'what you doin' there?' 

Before any answer came Shirone ran forward and began shouting something about perverts, angry over being followed. A moment later, her shout turned into a scream. 

It was hard for Romain to recall the exact order of events after that; Shirone stumbled into the torn-up earth, twisting her ankle in the gap between the ground and the opened coffin. Romain tried to grab her and failed, knocked aside by the onlooker who had reached out an arm toward him. At some point he remembered seeing the raised lid, the muddy pit, a sliver of moonlight on the empty polished casket. 

He saw the man standing above him, middle-aged, with greying hair and occluded eyes, clearly and irrevocably dead, dressed in his best black business suit, his arm still rising, the claw of his right hand extended as if to clutch at the living. Then the moon was unveiled from the clouds, highlighting his silvered pupils, his distended marbling flesh. The arm had risen high to point into the night sky, as if to transmit some dire warning. 

Romain could not believe what he was seeing. It was as if all the horror films he had been allowed to stay up late for as a child had rolled into one and come suddenly true. There, in the pale patch of moonlight, a cadaver had risen from the grave and was lurching stiffly through the penumbral gloom. The only way it could be any cooler would be if — 

And then that happened too. The corpse spoke to him. He heard its grunted command and followed its pointing hand. And there in the night above him lay the answer. 

As the luxury of panic began to burn through his stoned mellowness, Romain's senses registered everything at once; the overpowering smell of decay, the body lurching toward him from the grave with its outstretched arm, the putrid sighing of breath. Shirone was still yelling enough to wake the dead single-handedly, and now there was a bright square of bathroom light shining between the branches of the trees, high above the wall against which the row of ancient headstones leaned, in the little park where it seemed no-one had stirred from beneath the ground in the last three hundred years. 

The body tottered forward and landed face-down in the earth. Suddenly Romain's excitement seemed absurd, and all he could think of now was that he had been tricked and had missed his chance with Shirone, and that even if they remained friends after this she would never let him touch her again, because a stupid reanimated corpse had spoiled it all.