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Christopher Fowler
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What a great couple of years it's been for Latin cinema. It feels as if South American, Hispanic and Chicano films have taken a forgotten page from the Hollywood playbook and reapplied it to cinema. Forgetting fancy effects, stars and hype, they've put story back front and central, so much so that the sinister political allegory/ creepfest 'We Are What We Are' could be remade by being moved from…
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Years