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Christopher Fowler
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There's a certain type of Marmite movie I sneakingly love. It would have been the kind of movie I hated at 18, when I just wanted to watch cars explode and heads get cut off. It's the whimsical movie, best exemplified by 'Le Fabuleux Destin D'Amelie Poulin', or as it was called in the US, 'Amelie'. For a film that features simultaneous orgasms across Paris and concerns a manipulative girl bullying…
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