Benediction

Reviews: ‘Benediction’ and ‘Eternals’

Terence Davies is one of arthouse-lovers’ more demanding directors, from ‘The House of Mirth’ and ‘The Deep Blue Sea’, films in which literary forms are thrillingly re-interpreted, to ‘The Long Day Closes’, with its infamous minutes-long close-up of a piece of carpet (strangely moving). His films are restrained and nuanced. These days he struggles to find […]