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Christopher Fowler
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The Arts
Stephen Frears has always been a director with a conscience, and his best films reflect his interests. Here's a story based on recent true events that is every bit as devastating as 'Mea Maxima Culpa: Silence In The House of God' (see earlier review), and better for being lightly fictionalised. I presume the horrible custard-coloured 'feel good' poster is designed to ensure that the all-important…
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