My Favourite Moments In Novels No.2

Christopher Fowler
alan_lee_castles_gormenghast Some years ago I wrote an essay on Gormenghast and why I loved it so much (naturally, I've lost the book it appeared in, and have no recollection of its title). I first read Mervyn Peake's pinnacle of British fantasy writing when I was about fifteen, and it has lived with me ever since. There were several things I loved about Titus Groan; first, it was entirely plausible, and rooted in something real. When it comes to fantasy I'm not good with dragons, spells or vague demonic threats of evil. Second, it occupied an utterly believable geographical space in my obsessive-compulsive mind. Third, it felt
like an inverted version of 'Hamlet', a play with which I was very much obsessed at the time. Think about it; Steerpike is Hamlet, Fuchsia is Ophelia, the Countess Gertrude is (a giveaway, this) Queen Gertrude, Cora & Clarice are Rosencrantz & Guildenstern, and so on. Well, maybe. The books are filled with hand-on-heart moments, but I remember Steerpike's climb to the roof of the castle with such vividity that I can even recall where I was sitting when I read it. Steerpike the amoral kitchen-boy who will bring about the destruction of Gormeghast by his refusal to honour its traditions, climbs the building and reaches a vast field of flagstones; 'As he dropped and then leaned back to support himself against the wall, a crane arose at a far corner of the stone field and, with a slow beating of its wings, drifted over the distant battlements and dropped out of sight. The sun was beginning to set in a violet haze and the stone field, save for the tiny figure of Steerpike, spread out emptily, the cold slabs catching the prevailing tint of the sky.' This is the first time in the novel that we have been freed from the claustrophobic grip of the castle's interiors, and it bursts across the reader like a blast of sun-warmed air. The trilogy is not without its problems; I never warmed to the third book, with the loss of Steerpike, the appearance of motor cars and the abandonment of the trilogy's chief points of interest, and the so-called fourth 'lost' book is a travesty. Therefore in my opinion it's best to consider volumes 1 and 2 as a single, perfectly formed novel. The TV version is partially successful, but why has there never been a film?


Rachel Green (not verified) Wed, 19/03/2014 - 09:05

In reply to by anonymous_stub (not verified)

I adored the first two and never really settled with the third. I wasn't even aware of a fourth.

I love the new layout.

Brian (not verified) Wed, 19/03/2014 - 10:27

In reply to by anonymous_stub (not verified)

Admin, re the book you lost of which you have forgotten the name. It is most likely "Horror: Another 100 Best Books" which was edited by Stephen Jones and Kim Newman. It was published in 2005.

Bob Low (not verified) Wed, 19/03/2014 - 13:31

In reply to by anonymous_stub (not verified)

The first two Gormenghast novels held me in a spell as well when I first read them-the second book in particular, when Titus Groan himself emerges as a character, and Steerpike's true nature becomes apparent. I think I heard or read somewhere that Stanley Kubrick considered filming one or both of the first books in the sixties, with Peter Sellers as Dr. Prunesquallor. Has anyone else heard this, or did I just imagine it? Congratulations on the new look site, by the way.

Christopher Fowler Wed, 19/03/2014 - 17:03

In reply to by anonymous_stub (not verified)

Thank you Brian, I must have decided to store it in the bin.

Helen Martin (not verified) Wed, 19/03/2014 - 23:15

In reply to by anonymous_stub (not verified)

The dark colour for Admin comments is good. But here is Gormenghast again. Perhaps it's the interior tunnels that turns me against it as I am slightly claustrophobic.

Diogenes (not verified) Thu, 20/03/2014 - 07:08

In reply to by anonymous_stub (not verified)


The first two novels are perfection, my personal favourites. My house has a "Gormenghast" plaque out the front. I couldn't even finish the third.

Keith Page (not verified) Thu, 20/03/2014 - 07:56

In reply to by anonymous_stub (not verified)

Well, I quite liked 'Titus Alone' for the portrait of the parallel outside world beyond Gormenghast.I think part of the problem with this one is that Peake was ill at this stage otherwise the finished work would have been better.The tv series was quite good and well designed, I thought.