The Fascination With British Gothic Cinema

Reading & Writing, The Arts

Gothic

Year after year, books continue to appear on the subject of  British horror film and the ways in which they vary from US horror output. They can generally be summed up like this.

US Horror films – the great silents featuring Lon Chaney, the 1930s Universal cycle, 1950s SF leading to ‘The Fly’, ‘Wax Museum’ etc, the AIP Poe films, ‘The Exorcist’ changing the rules, 70s indie horror, the 1980s slasher cycle, torture porn, the return of the supernatural, ‘found footage’ films, the ‘Twilight’ effect, TV horror, remakes.

UK Horror films – Silent Hitchcock, introduction of the ‘H” certificate (for ‘Horror’), the Tod Slaughter films, ‘Dead of Night’ and the portmanteau films, Hammer, censorship, the Hammer wannabees (Tigon, Amicus etc), ‘Peeping Tom’, more censorship, the Peter Walker films, horror on TV, a handful of independent UK horror films.

Within this timeline, though, several superb volumes have been written that transcend mere outlines of genre cinema. The first is Raymond Durgnat’s ‘A Mirror For England’, who follows British films from austerity to affluence, taking in the influence of the Gothic along the way. It became a benchmark of fine cinema writing, and has been reissued.

Kim Newman’s ‘Nightmare Movies’ has been reworked before and will no doubt be again – quite right too, as it’s a seminal volume written by a witty master critic whose knowledge of world horror cinema is second-to-none. Its scope continues to deepen and grow, and my copy is tattered from overuse. It has not been bettered.

Now comes Barry Forshaw’s ‘British Gothic Cinema’ – Barry’s an old friend who knows whereof he writes, and he takes a slightly different approach, wondering what actually constitutes the gothic in cinema. His sections on Hammer are erudite and revealing, especially in the consideration of Cushing and Lee’s crucial roles in defining British gothic. I would have like to have seen a final chapter on the use of gothic tropes in British comedy (‘The League of Gentlemen’ etc) but it was probably outside the remit. The book will appear at the end of October.

3 comments on “The Fascination With British Gothic Cinema”

  1. Dan Terrell says:

    The jacket photo is scary in itself.
    My biter half – sorry better half – has just returned from the dentist’s office after a deep cleaning from hell. So, perhaps, that’s what makes me think the blonde above may be going through a nasty post-flossing. Gently does it.

  2. Reuben says:

    That cover photo looks like it’s from Hammer’s Lust For A Vampire. (I say this as someone who got mildly obsessed with Hammer’s Karnstein trilogy.)

  3. Janet Wilson says:

    If you search for British Horror Films, you can go straight to a site of that name which lists every one made since 1897.

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